Video Games Archive

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Has Final Fantasy Lost Its Magic?

By
Andy Yen
– Posted on August 4, 2010Posted in: Features, Video Games

I think I’ve officially outgrown Final Fantasy.

Don’t get me wrong, I used to love the series. Most people had their formative video game experiences with Super Mario Bros. I had mine with Final Fantasy II on the SNES. I remember begging my parents to purchase an obscenely priced Final Fantasy III cartridge for $74.99 at a specialty shop. I even had my relatives pick up an import copy of Final Fantasy V from a trip to Japan even though I knew no Japanese whatsoever. Hell, I was determined to learn kanji as a 12 year old solely to play that game.

Final Fantasy used to be the reason I chose a particular console over another. It was why I wanted the Super Nintendo, Playstation, Playstation 2, and Playstation 3. Each new entry in the franchise was an event. I would spend every free moment lost in the world of Final Fantasy until the epic tale was over.

It took me nearly five months to finish Final Fantasy 13. There were stretches of multiple months where I didn’t even touch the game. I eventually finished the game, but it took a herculean feat of self-motivation to do so.

What happened?

Read the rest of this entry »

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E3 2010 Preview: Twisted Metal

By
Andy Yen
– Posted on August 3, 2010Posted in: Video Games

Twisted Metal was perhaps the biggest “surprise” of Sony’s E3 press conference in that it was probably the biggest first-party Sony title announced without being leaked in advance. However, it was only a matter of time as there have been Twisted Metal titles released for every Sony console generation prior to the Playstation 3.

David Jaffe’s (God of War) new Eat Sleep Play studio develops the latest installment in the franchise and I had a chance to play a quick deathmatch at the Sony booth.

The quickest way to describe Twisted Metal if you’ve never played a game in the series is that it’s a cross between Mario Kart battle mode and Unreal Tournament. You pilot a twisted character/car combination such as a homicidal clown’s ice cream truck and you’re pitted against equally colorful cast of characters’ cars in a deathmatch. Each car has its own special weapon that recharges over time and you can pick up assorted missiles and ordinance powerups on the map. Oh, and your battle arena is generally an expansive real-life setting like suburban housing tracts.

The original Twisted Metal on the Playstation was one of the launch highlights of the system and Jaffe’s PS3 version definitely captures the look and feel of that seminal title. It’s not for the controller-challenged, though, as it pretty much uses every button on the Dualshock 3 controller to some degree. I took one look at the loading screen picture of the controls and blanked out like I was watching C-Span.

Fortunately I pick up games fairly quickly and within a minute I had figured out how to drive and shoot. The demo included two new vehicles (a helicopter and a motorcycle) that haven’t been seen in the franchise before. I found the helicopter difficult to maneuver, but it does have the satisfying ability to pull enemy vehicles up with its magnet attachment and drop them in less than optimal places. The motorcycle dude’s special attack is to throw a boomerang chainsaw at enemies. It works as ridiculous as it sounds and does MASSIVE DAMAGE to enemies.

Twisted Metal was created to be played among a large number of players and it’s exciting to see the franchise arrive in a console generation where online play isn’t an afterthought. It’s not a franchise overhaul, but it doesn’t have to be. We’re in an era where car arena deathmatch titles number in the single digits. It’s an entertaining title that should be a blast to play with friends.

As long as Jaffe delivers a polished game, Sony should have a hit on its hands.

Twisted Metal is scheduled to be released in Spring 2011 exclusively on the Playstation 3

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Postgame: Final Fantasy 13

By
Andy Yen
– Posted on August 3, 2010Posted in: Reviews, Video Games

I think the my days of having the patience to sit through a 40 hour video game are through.

It took me almost 5 months to put in the 45 hours needed to finish Final Fantasy 13, with a lot of it feeling like an obligation to my sometimes misguided principle to always finish what i start. That’s not to say there weren’t some great moments in the experience, but by and large everything the Final Fantasy franchise stands for has become stale.

Final Fantasy 13 tries so very hard to advance the aging Japanese RPG genre and actually does succeed in doing so on some levels. I, for one, am actually glad they got rid of towns in this game. When you boil it down, the only thing towns are good for are a) buying items and equipment and b) fulfilling a required plot/character interaction in order to advance the storyline. Getting rid of them streamlines the gameplay. It’s much more convenient to be able to buy items at any save point instead of hunting for several buildings in a town to complete your shopping list.

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Starcraft II Pros Vs. Joes Hilarity

By
Andy Yen
– Posted on August 2, 2010Posted in: Video Games

It may be ultimately pointless and/or sadistic, but something about seeing professionals masquerade amongst the hoi polloi and utterly owning the unsuspecting  public in their craft is absolutely enthralling to me.

As part of their Starcraft 2 release coverage last week, TeamLiquid (a professional-level Starcraft community) posted a video of a diamond-level Starcraft 2 player playing through his five mandatory placement matches. Don’t worry if you’re not familiar with the terminology – all you have to know that this guy is really good and the reason he’s matched up against these poor victims is because everyone has to go through this process in order to be placed into the correct skill-level league. Kind of like taking a placement test to see if you’re in the gifted kid class or the short bus class.

You’ll see entertaining things such as writing out “LOL” in Auto-Turret placement in the enemy base or spelling out his online handle in the middle of the map using carefully placed units. You will also see ridiculous strategies utilized such as using double offensive Planetary Fortresses.

Basically, it’s a much nerdier equivalent of Jewel doing undercover karaoke. Well, maybe with more embarrassment for the common man.

(You can start the video at 3:10 if you want to skip past the internet gamer humor introduction.)

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Postgame: Limbo Review

By
Andy Yen
– Posted on July 22, 2010Posted in: Features, Indie game spotlight, Reviews, Video Games

I had a tough time playing Limbo.

It wasn’t due to deficient game playing skills on my part or any bugs or faults with the game’s programming. No, I had a tough time playing through Limbo because I was genuinely unsettled by the hauntingly melancholy game atmosphere with its grainy black and white visuals and sparse, yet disturbing ambient sounds and audio cues.

You may think I’m talking about a new survival horror game, but I’m not. Limbo is a 2D platforming puzzle game.

“How is this possible?” you may ask. Just watch this short trailer:

I found it appropriate that the protagonist of the game is a young boy because a lot of what disturbed me in Limbo scared me as a child. I have a ghastly fear of spiders, insects, and man eating plants that crystallized in my youth somewhere between the piranha plants in Super Mario Bros. and the insects in Daikatana.

Death in Limbo is also an infinitely more powerful on screen event because it is happening to a little boy. My first death happened via running into a bear trap on the ground. The trap chomped my boy into an aerial concerto of bloody body parts which then collapsed limply to the ground. It quickly became obvious that I wasn’t going to be playing Rayman.

One particular scene early in the game has you walk by a white butterfly on the ground who flies off towards a tree that is clearly harboring a giant black spider lurking in the branches above. I must have spent a good five minutes sitting in my chair, paralyzed. I saw no obvious route around the tree, yet there was no fucking way I wanted to walk under three giant spider legs. Given that the game had established a precedent for grisly deaths by that point, I especially did not want to see what this spider was going to do to the little boy.

Eventually, I excruciatingly faced my fears and found a way past the spider situation. The game may “just” be in black and white, but the realistic animations of the boy and the world combine with the game’s desolate atmosphere to create a completely immersive experience.

Who are you? Why are you here? Where are you?

These are questions Danish developer Playdead want you to wonder about while playing through Limbo. And they did, in fact, linger in the back of my mind throughout the game’s first half, especially with the appearance of other humanoids (dead and alive). However, as the game progressed, I found myself caring less and less about these things and just focusing on what my next destination was and how to reach it. In other words, gameplay became the driving motivational force, not the search for greater meaning in the story.

A word about the gameplay: much of it is based on a “die first, figure out why after you respawn” paradigm. During your first playthrough you should expect to die often and die unexpectedly. This may sound like a frustrating nightmare, but for the most part isn’t, because there are bountiful checkpoints that place you close to your place of death. However, there are a couple of places in the game where I repeatedly yelled “Come on!” at my screen because I could not discern a certain goal and the death checkpoint forced me to play through a previous section before I could take a crack at it again.

Comparisons to Jonathan Blow’s breakthrough “indie” game, Braid, are bound to pop up due to both games belonging to a similar genre. I’ll take a shot at declaring a “winner” by saying that Limbo doesn’t quite reach Braid from both a gameplay and narrative standpoint. Overall, Limbo’s puzzles aren’t as elegantly designed as Braid’s. Many of the more difficult ones require precision timing and button pressing dexterity to solve problems, rather than imaginative and cereberal solutions. That’s not to say Limbo is poorly designed – there are some wonderfully devious puzzles that give a real sense of fulfillment once you figure them out. It just doesn’t feel as naturally rewarding as Braid did.

Braid’s narrative benefited from the use of prose in its introductory and ending sequences. These words really tugged at me emotionally and provided context for the story it was trying to get across. Limbo, on the other hand, does not have one word of text within the game. It relies solely on its greatest strength, its visual and audio atmosphere, to convey its message. Limbo starts off strong in this regard, but the sense of uneasy wonderment slowly peters out until the ending is reached. It’s an ending which I feel tries to capture the same level of existential meaningfulness as Braid, but ultimately falls short.

Having said all of this, Limbo still comes highly recommended if you enjoy playing puzzle platformers and/or delight in immersive and unique art styles. It’s unquestionably the best downloadable game I have played in 2010 thus far. Just be warned if you have qualms about viewing gruesome child deaths or have fear of giant insects.

One final tip: Don’t read the game’s description on Xbox Live Marketplace if you can avoid doing so. I think the game’s ultimate meaning is far more interesting and thought provoking were I not to have read the short premise on the description. For me, it was a throwaway fact that served to only narrow the possibilities of the game’s conclusion.

Limbo costs 1200 Microsoft Points ($15) as a downloadable title from the Xbox Live Marketplace. There is a trial version that encompasses the first two game chapters.

[cincopa 10681581]

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E3 2010 Preview: Goldeneye Wii Remake Multiplayer

By
Andy Yen
– Posted on July 21, 2010Posted in: Video Games

Let me tell you a shameful secret of mine: I never played Goldeneye 64. Well, substantially anyway. I dabbled in it a couple of times, mainly at large social gatherings and never for an extended period of time. I was too busy being narrow minded with my elitist “mouse and keyboard 4 life” worldview as a teenager. But I did understand that it was (and still is to many people) the most beloved console FPS ever. With this in mind, I had a go with 4-player split screen multiplayer for Eurocom’s (published by Activision) upcoming remake of Goldeneye for the Wii at E3.

Now, I couldn’t tell you if this game fully recaptured the magic of the original N64 Goldeneye, but I can tell you that the game was a fairly fun Wii FPS. Activision smartly had a setup of Wii Classic Controller Pros (depicted above), which are basically Wii Classic Controllers with “love handles.” The handles make a big difference in ergonomics, especially for FPSs. It doesn’t feel quite as natural as an Xbox 360 controller for the genre, but definitely brings the Wii on par with the Playstation Dualshock. Having two analog sticks changes the gameplay experience too, but probably for the better.

Goldeneye Wii did seem rough around the edges though, at least in 4-player split screen. I noticed that there were no on screen notifications. There were no kill announcements nor any on screen score report of any sort so it was hard to know how I was doing at a given time without bringing up the intrusive scoreboard. It also didn’t seem as if there were any items on the level to pick up as well. Whether this was intended or just a function of being a demonstration build was unclear. Unsurprisingly, frame rates also seemed slightly sluggish (yet playable) with a 4-player split screen compared to a 2-player split screen. I’ll chalk this one up to “demo build” and “Wii hardware”

Like the original title, you can select from many different Bond characters to take into deathmatch. I remembered that the infamous Oddjob model had some sort of unfair advantage, which my opponents at the booth confirmed with a question for the Activision rep. Apparently his model is no longer harder to hit, but he does have the ability to throw his hat for an instant kill. To counteract this, he can’t throw grenades, like the other play models can. I found the hat throwing not too big of an advantage as it takes some time to wind up and does leave you vulnerable should you miss. I did manage to get a few kills like this though and it felt mildly satisfying, kind of like a lite-humiliation kill.

Hopefully, Eurocom will polish the game up when the game is finally released. Given past Wii FPS entries, I don’t think I’d expect Goldeneye Wii to compete with the big boys, namely Call of Duty and Halo on the 360/PS3. However, it could be a great source of nostalgia for those who cherished the original. I’d be curious to see how those fans receive this remake when it releases.

Oh, and I finished the 10-kill limit deathmatch in second with 8 kills. I blame trying to go for the hat kill too much.

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Microsoft Confirms Kinect Pricing At $150 – Internet Goes Into Conniptions

By
Andy Yen
– Posted on July 20, 2010Posted in: Games Industry, Video Games

This morning, we finally got confirmation on pricing for Microsoft’s Kinect peripheral for Xbox 360. Now, this shouldn’t come as a surprise to people who noticed that Gamestop had posted the $149.99 price on their website right around E3 time last month. However, Microsoft had been strangely quiet on confirming this price point until today.

Here are the two ways you can obtain Kinect this fall:

  • For anyone currently owning an Xbox 360: Kinect peripheral w/ Kinect Adventures game, $149.99
  • For anyone without an Xbox 360: New Xbox 360 w/ 4GB memory storage and matte finish + Kinect peripheral w/ Kinect Adventures game, $299.99

Basically, if you are a new Xbox 360 owner, you can grab both for a $50 discount off MSRP. Microsoft also announced that all first-party Kinect launch titles would be retailing for $49.95.

Now, after reading gaming community reactions to this, one would think that Microsoft had done the video game equivalent of leaving Cleveland to join the Miami Heat. The vast majority of commenters and posters on notable video games communities voiced their extreme displeasure at the price point for Kinect. Many labeled Kinect as a “rip-off” and made comparisons to Sega’s ill-fated 32X peripheral addon for the Genesis. One poster on the neoGAF called it “A disaster of Kin proportions.” Even Microsoft’s own community site, Major Nelson, wasn’t immune to the backlash.

What went wrong? Just one year ago, Kinect (then called Project Natal) was the darling of both core gamers and the mainstream media. People were drinking the Kool-Aid of limitless possibilities in hands-free gaming combined with a futuristic “Minority Report’-esque interface for viewing media content.

Two factors led us to this point.

First of all, the launch software simply is not compelling, at least to core game players. The best game Kinect has going for it is a dance game which admittedly is quite good, but may not have quite the same appeal to Johnny McCallofDuty. The other software is widely viewed as non-gamer content (fitness titles and kids software) or glorified Wii mini-game collection knock offs.

Secondly, Microsoft bumbled the pricing information of the product. When first announced, many people were estimating that Kinect would cost at least $199.99. Pricing seemed to be secondary to the wonder and amazement that such a product existed and could be obtainable by the consumer.

In October of 2009, Wedbrush Morgan analyst, Robert Pachter, guessed the price of Kinect (then Project Natal) at $49.99 (!) with a worst cast scenario of $99.99. Gamers were thrilled. Not only was this device imminent, it would be affordable too!

Flash forward to June of 2010 where online retailers such as Gamestop and Amazon put up the Kinect for pre-order at a $149.99 price point. Grumblings were heard throughout the gaming community, but most were holding out for hope that Microsoft would change the pricing back to at least $99.99  when it gave an official announcement. They did not.

Clearly, Microsoft needed to sell the device at the $149.99, but knew that community backlash was already brewing. They tried to compromise by bundling in Kinect Adventures in with the peripheral. (If we assume Kinect Adventures would have cost $49.99 separately, one could derive a $99.99 price for the device and add the $49.99 for the game to get to the $149.99 price point) However, this seems to have gone largely dismissed by the community because it’s a title that no one desired nor was it perceived as being worth the full retail price tag of $49.99.

If it’s one thing people don’t like, it’s the feeling of being bait and switched on pricing, even if said pricing was never confirmed by the manufacturer. Contrast this with the public response to iPad pricing prior to launch.

Popular opinion before Apple launched the iPad was that it would be priced around the $800-$1000 mark. The Wall Street Journal published speculation in early January of 2010 that the device would cost upwards of $1000. When Apple finally announced the product with a starting price point of $499, it was lauded as being “affordable” and public perception was very positive.

Some conspiracy theorists out there feel that Apple “leaked” this misinformation to the WSJ to manufacture this positive perception. Whether or not this was engineered by Apple or predicted organically, the fact remains that it worked. iPad pricing is a virtual non-issue in terms of internet debate fodder. Microsoft would have done well to haved learned from this.

My Take:

Would I have liked the Kinect to be priced at $99.99? Sure, I mean, paying less is always good. Does $149.99 turn me off from purchasing it? At the end of the day, I don’t think it does. I’m still in love with Dance Central and even at the $200 price it’ll take to play it, it’s no worse than shelling out $200 for a plastic instrument Rock Band bundle to me.

The main concern prospective buyers should be having is with the apparent dearth of quality software titles, at least for solo players. If you’re a core gamer who has no interest in dancing, you suddenly have no reason to buy the Kinect at launch, unless you want a slightly clumsy, yet cool feeling way to navigate your media on your Xbox.

If you’re a casual social gamer or want something kid-friendly, then you have a more compelling decision to make this fall. I firmly believe that total hands free gaming is a lot more intuitive and exciting than having to deal with an a peripheral, at least in a social gaming setting. It’s a much more fluid experience to just move people to and from the front of the TV, rather than having to deal with calibrating and passing along multiple controllers. It’s also a better experience for non-gamers to skip having learn how to use any controller in the first place, no matter how simple it is.

Either way, I still believe Microsoft has a promising product here with the Kinect. The idea of hands free interfaces is a mighty compelling one to me and I’ll most likely be in on the ground floor if only to support the initiative. And because I’m a shameless early adopting gadget freak.

Most people, I’d imagine though, would be best served with the “wait and see” approach with Kinect.

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E3 2010 Preview: Donkey Kong Country Returns

By
Andy Yen
– Posted on July 19, 2010Posted in: Video Games

Donkey Kong Country Returns on the Wii courtesy of Retro Studios (Metroid Prime).

That’s pretty much all you need to know about the game. If you have fond memories of playing Rare’s beloved Donkey Kong Country on your Super Nintendo, you’ll feel right at home in this 2D sequel on the Wii.

It’s clear that Nintendo didn’t tune the difficulty of this game to be as easy as, say, Super Mario Galaxy. One of the first things I noticed about DKCR was that I couldn’t sleepwalk through the game. Donkey Kong has three hearts and once he loses all three, you have to replay the level. Replenishing these hearts isn’t as easy as picking up the coins being thrown about you in Mario Galaxy as hearts seemed to be few and far between. Perhaps this was compounded by the fact that I felt extra pressure to play perfectly because my demo time was constrained on how many lives I lost. Nevertheless, I consider myself a fairly competent platformer, and was definitely challenged throughout the demo.

The E3 demo consisted of a 3 levels of which I was given the choice of playing 2. I first had a go with a boss stage involving a typical “jump on his head three times” encounter that I thought I would breeze through, but ended up having to concentrate to defeat. The encounter involved platforming boss mechanic standbys such as “run under the boss as he jumps really high” and “avoid the charging boss so he hits the wall and you can jump on his weak point.” I was thrown off, though, by the unpredictability of when the boss would leap high enough for me to run under and how quickly he would recover from the stun of running into the well. The other level was a standard side-scrolling platforming level that reminded me of the first level of the original Donkey Kong Country.

Donkey Kong has three moves he performs in the game: ground pound, big breath blow, and a spin attack. You may be familiar with these moves if you’ve played Super Smash Bros. Each is done by pressing a particular combination of buttons on the nunchuik and Wiimote. It’s not as simple as the sideways wiimote 2-button action, but is almost there. Donkey Kong can use the ground pound to make certain items fall from trees or as an attack against enemies. The  breath maneuver can be used to blow the leaves off plants and flowers, uncovering hidden items. You can guess what the spin attack is used for.

Something new to the series is the utilization of Diddy Kong as a “helper” rather than a tag team partner. Once you break Diddy out of a “DK” labeled barrel, he will ride on top of Donkey Kong with his J=jetpack. Controlling Donkey Kong still, you’ll be able to hover for a short time while also being able to fire peanuts from Diddy’s cannon. More importantly, Diddy will also add two hearts to your life meter, increasing your survivability. Lose those two extra hearts, though, and Diddy will disappear again.

Although it was not playable at the show, I was told there would also be a 2 player co-op mode with the second player controlling Diddy. Not many more details would be given by the Nintendo rep, so we’ll have to see what this will entail exactly. It definitely sounds like something that could be fun, although I hope it’s not as passive as Super Mario Galaxy’s “co-op” play.

Other than that, the game is pretty much what you would expect from another entry in the Donkey Kong Country franchise. Nintendo has even brought back the iconic collectibles from the original franchise as well. You’ll want to replay levels to collect bananas, letters spelling “K” “O” “N” “G”, and also golden puzzle pieces. (My friendly Nintendo rep would not disclose what these are for yet)

Nintendo has had great success reconnecting with it’s 2D platforming roots in New Super Mario Bros Wii and Donkey Kong Country Returns looks to continue that streak. If you’re a Wii owner who’s nostalgic for the ol’ DKC or just love 2D platformers, you’ll probably want to give this one a look this fall. Just keep in mind it’ll be a tad more difficult than some of the more recent platform games.

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E3 2010 Preview: Metroid: Other M

By
Andy Yen
– Posted on July 14, 2010Posted in: Video Games

Ever wish you could hear Samus’s voice in a Metroid game? Metroid: Other M (MoM) makes those wishes come true.

Metroid games have traditionally been about solitary exploration and incidental narrative through found logscanning, but MoM represents a distinctive departure for the longstanding franchise with it’s heavy emphasis on cinematic storytelling. Virtually every character is voice acted as well, which is something Nintendo doesn’t often do for their games.

I almost felt guilty for indulging in MoM’s lengthy cutscenes at Nintendo’s E3 booth. It felt a little unsettling at first, but I quickly became accustomed to this New Metroid Order.

Without giving away story spoilers, MoM sheds a spotlight onto Samus’s origins. Here’s a character we know almost nothing about over the past 25 years other than her gender and profession. It’s kind of weird to all of a sudden learn where she came from and how she’s felt about her adventures so far. I’m not ready to pass judgement on this game design choice yet, but I can say that I’m intrigued enough to see the whole thing through.

From it’s initial announcement at E3 last year, I always envisioned MoM playing like Ninja Gaiden meets Super Metroid. The playable demo at E3 more or less confirmed this assumption. MoM shifts between 2D and 3D planes depending on what part of the map you’re in. If you’ve seen last year’s Shadow Complex, you have a good idea as to what the 2D corridors look like.

In a surprising move, no nunchuk is used while playing this game. The default controls are similar to New Super Mario Bros. Wii where you tilt the controller on its side. <insert obligatory snarky comment on the uselessness of motion controls in games>

Gameplay didn’t throw very man curveballs at me. If you’ve played a metroid game before, this game will feel very natural for the most part. I found the way MoM handled “crippling” Samus at the start to be novel. At the start of the game, Samus works with one of her friends from the Federation. They haven’t “authorized” her to use missiles or heavy weaponry yet, so that’s how her starting ordinance loadout is explained.

I do have to draw attention to how annoying the first-person aiming system is, though. At one point in the demo, I had to fight a boss that could only be damaged by missiles. Problem is, you can only fire missiles by switching into first person aiming mode and pointing the Wiimote at the screen. In theory this sounds intuitive, but in practice it’s awful. I felt like an invalid fumbling around with the Wiimote trying to defeat this particular boss.

The problem lies with the fact that you have to completely change the way you hold the controller in a pressure-filled twitch action sequence. It’s just doesn’t feel natural to be flipping around the controller when you have a 2 second window in which to flip, aim, and fire. Novel exploration mechanic, sure. Twitch boss fight mechanic, HELL NO. Sadly, I fear we may be too close to launch for any significant control changes.

Despite this, I’m too much of a Metroid fan to let this completely derail my enthusiasm for MoM. The game does contain Team Ninja’s signature movement fluidity (other than the aforementioned first-person aiming issue) and the cinematic cutscenes and voice acting are a fascinating new wrinkle for the series.

Metroid: Other M releases for the Nintendo Wii this August.

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E3 2010 Preview: Castlevania: Lord of Shadows

By
Andy Yen
– Posted on July 14, 2010Posted in: Uncategorized, Video Games

The most common question I heard at Konami’s booth while playing Castlevania: Lord of Shadows was “Hey, is that a new Castlevania? I used to love that game back in the day.”

Clearly Konami was prepared for this question because the friendly representative demonstrating the game for me wasted no time in responding to these inquiries with a confirmation and sales pitch that Lord of Shadows is a return to the golden days of Castlevania games. I hope the full game ends up fulfilling those promises, because the demo levels I played barely reminded me of the 2D adventures of Simon Belmont.

Castlevania: LoS looks plays very similarly to God of War. In fact, if it weren’t for the signs above the station, I might have thought Konami scored itself the God of War franchise. Gameplay in the demo was very combat oriented, including the obligatory action combo and grab system. The grab system was actually kind of novel. It plays similarly to a rhythm game (Bemani influence anyone?) where you have to tap the grab button right as 2 concentric circles overlapped each other.

You play as Gabriel Belmont with a weapon called the “Combat Cross” which reminded me of Kratos’ “Blades of Chaos” in that they acted as both short and long range weapons depending on the situation. Gabriel’s Combat Cross will morph between Castlevania’s signature whip and other weapons such as a sword. Other than the aesthetics, the weaponry system works out very similarly to God of War‘s, complete with psuedo-RPG elements such as the ability to upgrade weapons several levels and assorted magic attacks.

Long time series fans will remember the secondary weapons and a couple of these remain unchanged, such as the silver dagger or holy water. Konami wouldn’t disclose the other items Gabriel could pick up though.

The demo ended with a very brief horseback riding combat scene. Again, this played out very similarly to mounted combat in God of War.

Now don’t get me wrong, I loved God of War, but I think I was expecting a little something more distinguishing from a new Castlevania game. The Konami rep assured me that there would be familiar “metroidvania” gameplay elements such as level backtracking in the complete game. With Hideo Kojima (Metal Gear Solid) acting as an advisor for this game, I still hold out hope that the final product could end up being something special.

As it is though, the E3 demo left me with the sense I was playing a well executed God of War clone. This could be a good or bad portent depending on what you were expecting from a new Castlevania game.

Castlevania: Lord of Shadows releases this fall on Xbox 360 and Playstation 3.

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