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The Cyberathelete Professional League Shuts Down

RIP CPL
It looks like the inevitable has caught up with the CPL, forcing the once venerable professional gaming tournament organizers to “cease operations.”

…the current fragmentation of the sport, a crowded field of competing leagues, and the current economic climate have prompted the CPL to suspend its pro-tournament operations.

As a former professional gamer (yes, really) in the Quake 3 era, I remember the days when the CPL was the only “legit game” in town. If you placed highly in CPL tournaments you were the best of the best. It was akin to getting far in the NCAA March Madness tournament. Not to mention the millions of dollars that were promised in prizes. Other prize tournaments would pop up, but they would never have the credibility that the CPL once had to the competitive gaming community in terms of deciding who was the best. (not to mention producing some really epic match replays/demos)

That being said, the league just wasn’t well positioned to break through to the mainstream anytime soon. The CPL was never a really a “league” per say, it was more a series of event tournaments that always seemed to be located somewhere in Texas and always had entrance fees in the hundreds of dollars. This basically ensured that unless you lived in Texas or were really fucking good at the games, you wouldn’t be attending. I also never understood why they charged money to simply spectate the events, especially during the early years when it would have been better suited to gain more exposure and fans.

I haven’t followed the CPL or other professional gaming leagues closely in over half a decade, but a quick glance at the sheer number of leagues and acronyms has my head spinning. CPL, GGL, CGS, MLG, WCG, who can keep track? If someone like me is overwhelmed, think of how the general public would react.

Professional gaming may or may not eventually take off like other ancilliary “sports” (e.g. poker, NASCAR, etc.), but it certainly has a long way to go.

The CPL Ceases Operations [thecpl.com]

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I <3 The Music Industry

peter rojas zing

paidContent‘s Joseph Wiesenthal was in attendance at a SXSW panel this week entitled “Ad Supported Music, A New Hope For The Industry?” when things apparently got a little chippy. Peter Rojas of RCRD LBL and Interscope’s Ted Mico got into what could only be described as a sexy male catfight:

As for the ‘old’ digital model, he [Rojas] suggested that the only people he knows who buy tracks from iTunes are people who get giftcards from grandparents for Christmas. By this point, audience members started getting agitated. One screamed out something about Rojas disregarding intellectual property.” Mico suggested that it was silly for Rojas to disclaim the traditional model since he called his site RCRD LBL (it’s pronounced ‘record label’) “It’s obviously a bow to the past.. The idea that oh it’s a blog and oh it’s radically different is bllsht.” Then Rojas returned with: “The different is is that we make money.” (Zing!) Mico: “You’re (still) selling music!”

I love it! This is the kind of stuff we need to see more often in the music industry. It’s a good change of pace to have a little mudslinging soften the apocalyptic overtones I always hear whenever someone talks about the industry. I’m disappointed I didn’t get to make it out for this. Those of you who who avoid the panels at SXSW, who’s laughing now? Would you rather hear grown executives sling potty at each other or see Indie Xerox Band #23?

Someone tell me there’s a panel with Bill Nguyen from lala.com and Bob Lefsetz PLEASE!

Read an account of the panel [paidContent.org]

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Review: Apollo Justice Ace Attorney

apollo justice
Apollo Justice is Capcom’s fourth entry into its venerable Ace Attorney series of handheld video games. It also represents a couple of firsts as well. It’s the first title in the series to not feature spiky-haired Phoenix Wright as the main protagonist and it’s also the first title in the series designed from the ground up for the Nintendo DS. (the previous three were designed for the Game Boy Advance)

If you’ve never played an Ace Attorney game before, a good way of describing it would be to draw parallels with TV shows.  It’s a nice blend of Law and Order with CSI with a touch of character drama that you might find on a show like Lost or Heroes.   You play as a budding young defense attorney who will not only have to stand his ground in a courtroom, but will also have to do a little detective work in investigating crime scenes and questioning witnesses.  Each game in the series is divided up into seemingly separate cases (usually 4-5) at first, but by the end you’ll notice that many of the characters and events are connected with each other in a larger way.

Despite a protagonist and character cast change, Apollo Justice doesn’t stray too far from the formula established by previous games in the series.  It does, however, provide a natural evolution of the investigative portions in the game by incorporating DS touch controls.  Fans of the franchise will definitely want to pick this one up.  It’s also a great jumping on point for newcomers who like to read courtroom/crime investigation dramas.

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Trent Reznor Makes A Nice Chunk Of Change From “Ghosts”

trent reznor money hat
The Nine Inch Nails camp has reported that first week cumulative sales of all “Ghosts I-IV” SKU’s have totaled 781,987 units with total revenues of $1,619,420.

A pretty good haul for our buddy Trent if I don’t say so myself.

If we google first week CD sales numbers for the last three Nine Inch Nails records, (Year Zero, With Teeth, The Fragile) we can see that they each sold between 200,000-300,000 copies. (Apologies for not having exact numbers, my SoundScan access expired) Already an impressive feat for Ghosts as its first week numbers almost triple any one of the previous records.

“But what about the free downloads skewing the numbers?” you may ask.

At the end of the day, what matters most to the artist? Money. Ghosts‘ $1.6 million take goes ALL to Nine Inch Nails (yes, then they have to pay for bandwidth, manufacturing, distribution, and whatnot). Contrast that with the horrid cuts that major label contracts give to an artist on CD sales (normally $1-$2 per record sold, not including advance repayments). Say Trent made $2 per record for one of his last 3 records. At an average of 250,000 copies sold, he would take in $500,000 from first week sales. That’s almost one-third what he’s pulling in now from Ghosts!

If you were a major artist, which way would you want to sell your record?

Granted, time will tell if Ghosts will have staying power and continue to take in revenue. A big chunk of that $1.6 million was due to the $750,000 from the “ultra limited edition” that will never be sold again. However, my intuition tells me that the costs in recording this latest all-instrumental album were much less than a traditional nin album and that Trent probably already has a good return on his investment already.

It’ll be interesting to see how this model works with other artists or even a “real” Nine Inch Nails album. But from the looks of things, Trent is onto something here.

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Lee Abrams Leaves XM Radio For Tribune Co.

Legendary insane broadcaster Lee Abrams has left XM Satellite Radio almost a decade after helping to found the company.  He’s taken up a position as Chief Innovation Officer at embattled media conglomerate, Tribune Co.

I’m not so sure how this will work out, given that Abrams has little to no experience in the journalism world.  However, I can see how Tribune would be desperate enough to gamble on Abrams pulling a miracle out of his hat, given their struggles as of late.  My gut tells me that Lee’s time may have passed though.  This was a man that once told our radio station that we needed to airdrop a million dollar bills onto Giants Stadium in order to grab the attention of our listeners.

…right.

At least he can’t do much worse than the hapless Cubs.

Read more about Lee’s departure [washingtonpost.com]

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Eliot Spitzer’s Got Nothing On This Guy

Today’s Penny-Arcade post had me guffawing at the sheer ridiculousness of some of our public servants.  It looks like a local Texas county District Attorney is under investigation for using taxpayer money to build what can only be described as an “uber-l33t” gaming computer for use as a “backup” server.

The computer – equipped with two hard drives, seven fans, high-end video and audio cards, a wireless Internet connection and cables that glow under ultraviolet light

Give the guy a break!  It must get awful boring down there in Rockwall County, why not flaunt your e-penis a little?  Next to $4,300 hookers, this might even sound… wholesome.

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Neil Gaiman Knows The Meaning Of Free

Neil Gaiman has been my favorite contemporary fiction author ever since I was captivated by The Sandman in the early 90’s. Recently, he and his publisher have put up his most defining literary work, American Gods, in its entirety for free online (I recommend you give it a read, it’s wonderful!). Apparently, he’s gotten some flak from some small bookstores who believe that move will be the death of them if authors everywhere started putting up digital copies of their books for free. Neil, on the other hand, appears to have read Chris Anderson’s Free! article and understands the current marketplace climate:

Just as a bookseller who regards a library as the enemy, because people can go there and read — for free! — what he sells, is missing that the library is creating a pool of people who like and take pleasure in books, will be his customer base, and are out there spreading the word about authors and books they like to other people, some of whom will simply go out and buy it.

If you have the time, I suggest reading his full reply to the letter – he’s got some pretty insightful thoughts on the process of building a customer base with “free” content.

The music industry could stand to learn a thing or two from this affair.

Read Neil Gaiman on giving away free content [neilgaiman.com]

Read American Gods online [harpercollins.com]

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Chad Kroeger Is Who We Thought He Was

dlisted reports that Chad Kroeger of Nickelback fame revealed in an interview with Playboy that he can and has indeed sucked his own dick for a case of beer.

It is of my firm belief that Chad and Scott Stapp have an ongoing potty competition going on with each other. It’s the only rational explanation for this.

Your move, Scott.

Read about Chad’s “talent” [sun.co.uk]

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All You Need Are 1,000 True Fans And You Can Quit Your Day Job

Kevin Kelly has a great post over at his blog on a possible new business model for artists. The basic idea is that in order to make a living as a musician, you need 1,000 true fans who will buy anything you put out. This number increases proportionally with the more people you have in your group.

While “1,000 Fans” is more of a catchy nomenclature than a hard and fast rule, the general idea is very intriguing. We’re truly moving away from a superstar-only oriented music industry into a more niche-based one that can accommodate many successful artists.

Read “1,000 True Fans” [kk.org]

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The Airborne Toxic Event @ Troubadour, LA 3/03/08

“Hi, we’re an unsigned band from Los Angeles,” introduces The Airborne Toxic Event singer/guitarist, Mikel Jollett, to the frisky and diverse sold-out crowd at the Troub.

Two songs into the set, you would have been hard-pressed to believe that this Los Feliz quintet wasn’t signed by a Major or Major Indie (your Merges and Sub-Pops of the world), much less completely unsigned. Joined on stage by Noah Harmon (bass), Steven Chen (guitar/keyboard), Anna Bulbrook (viola), and Daren Taylor (drums), the soft-spoken Jollett crooned with his Morrissey-esque baritone and we soaked it in. The band members weren’t just going through the motions like so many other typical indie-xerox bands. They were playing with stage presence, with exuberance, with gracefulness.

This was not your ordinary hype-band.

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