review Archive

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Review: Scribblenauts Remix (iOS)

I never thought there would come a day when I would prefer playing a particular game title on my phone rather than a “real” portable game console from Sony or Nintendo.

Well, that day is here.

Developer 5th Cell’s port of its “indie” Nintendo DS hit, Scribblenauts Remix is an absolute joy to play on the iPhone and iPad and is one of the few iOS releases that had me hooked enough to want to complete the game in one day.

(To be fair, I also never thought that there would come a day where there would actually be a good licensed superhero video game. What can I say? We live in magical times.)

For those who are unfamiliar with the franchise, Scribblenauts is a puzzle/platforming game based on one core mechanic — your imagination. You see, you can bring in almost any object or living thing into the game world by simply typing it into Max’s notebook. It’s a very “wow”-inducing mechanic when you experience it for the first time because we’re so used to being limited to the constraints of what game designers have set for us.

The goal in each level is for Max to obtain a Starite by following the hints on screen. The first level’s Starite is dangling on a tree that is just out of reach. There’s many ways to solve the puzzle, depending on your level of creativity. Some might opt for the straightforward solution of creating a ladder for Max to climb. Me? My first inclination was to give Max a large chainsaw to cut down the tree, letting the Starite fall down to me, because I’m a f’in boss. You could also give Max a jetpack and have him float up there to reach it as well. Or maybe you could make a giant yellow beaver to gnaw down the tree.  I’m sure you get the idea by now.

The game has a portly database of over 20,000 words so chances are that the game will have a better chance of stumping you rather than the other way around. Unfortunately, this doesn’t include proper nouns or places (for obvious reasons) or vulgar terms. Believe me, I was disappointed that I could not make a flaming pile of poop, but hey, what’s that really going to help you do?

All of the levels are fairly straightforward, which isn’t necessarily a bad thing. The danger with a game that provides so much freedom is in overwhelming the player with too many choices and possibilities. At no point in Scribblenauts Remix did I feel “lost.” The difficulty curve was nice and easy – almost too easy, in fact. Some of the more interesting levels have several “phases” involved, and I expected the levels to get more and more epic the further I progressed. Sadly, many levels remained very superficial in their goals. Fortunately, for those who want a more free form sandbox to play in, there’s a “Playground Mode” where you can just create objects and things and have them interact with each other.

One of the most exciting features about the game is that it supports iCloud for game saves. For people who own both an iPad and an iPhone, this feature is a godsend. I tend to play mobile games on my phone when I’m not home, but if I’m just lounging around, I’d rather use that larger screen real estate. Previously, you were essentially locked into choosing either the iPhone or iPad version to play, even if the game was a universal build. Sure, you could switch over, but you’d lose all of your gameplay progress to do so. And who would want to do that, other than shortsighted marketing folks who only look at features as checklist fodder?

There’s 50 levels included within the $4.99 universal iPhone/iPad release of Scribblenauts Remix. 40 of which are culled from the previous two Scribblenauts releases on the Nintendo DS. The remaining 10 are “exclusive” to the iOS version of the game. In full disclosure, I never finished the original game on the Nintendo DS because, quite honestly, I was annoyed by the controls in having to tap each word individually with my stylus on the onscreen keyboard. However, on iOS, inputting words is a joy because it’s a natural function of the device – just like writing a text message. A control pad isn’t necessary for this game since there’s no precision platforming to be done. Add it all up and you have a title that feels much more at home on a touch screen than on a portable game console.

Since I didn’t play the previous titles, I can’t say whether the “right” levels were picked or if the 10 new levels are worth the admission price for those who have already played the game on the DS. At $4.99, though, no one’s going to laugh at you for paying 50 cents a “new” level, especially since it’s quite apparent that 5th Cell will be adding additional level packs to the game as time goes on. For anyone who hasn’t played the DS games though, oh ho-ho are you going to have fun. Unless you don’t like words. In which case, I’ll direct you to this app instead.

The highest praise I can give to Scribblenauts Remix is that I was so enamored with the game that I wanted to not only complete the levels, but also obtain all the achievements as well. Think about it – how many games do you have on your phone? And how many do you actually want to finish, let alone get all the achievements on?

Scribblenauts Remix is available now as a universal iPhone/iPad build on the iTunes App Store.

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Tron Legacy – Quick Thoughts

It took me awhile to get out to see Tron: Legacy because of the sheer amount of hate for the movie that I’ve been hearing and reading about. Basically, I went in expecting the most visually impressive trainwreck $170 million could buy.

You know, it wasn’t that bad. I mean you’re going to have to suspend copious amounts of disbelief, but if you try not to think about things too much, you might actually enjoy yourself. Don’t bother yourself with details like “Why is a giant software company policed only by one fat security guard?” or “How much are they paying that guy to chase Flynn to the roof of the building and balance on top of a beam to watch as he jumps off?” And let’s not get started about the rules of a world where software programs are anthropomorphized. Can you think of a reason why would software programs need to go to a nightclub?

Just enjoy the action scenes and amazing visual aesthetics. Don’t ask yourself why certain things are happening and what they mean. The basic story is a simple “chase the gizmo and escape” tale. If you just hold onto that, you won’t have any trouble following the plot.

I don’t think I’ve fallen with a movie world’s visuals this much since Blade Runner. It makes me wonder how jaw-dropping that movie would be if given the same visual treatment today.

This image of Olivia Wilde has been seared in my minds eye forever (in a good way):

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Playstation Move in LittleBigPlanet 2

The only reason I’ve seen to own a Move so far is the Killzone 3 Move  control mode. It might take a lot more than that to sell people on the technology.

From IGN’s Review of LBP2:

I’ve seen a lot of people asking how PlayStation Move works in LittleBigPlanet 2, and the short answer is “It doesn’t.” It isn’t broken; it just isn’t in the game. Sackboy’s Prehistoric Moves (a Move game available right now on the PlayStation Store) is on the disc, but that’s it. At the moment, LBP2 doesn’t use the motion controller at all but it supports it for future additions.

Read: LittleBigPlanet 2 Review – PlayStation 3 Review at IGN.

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Review: Infinity Blade

I’m just going to go ahead and say it:

Infinity Blade is the best gaming experience I’ve had on the iPhone.

Seriously. You can take your Angry Birds, Fruit Ninja, and all of your lame tower defense game clones and shove them in your favorite orifice because this game makes those look like amateur hour. From the time I downloaded Infinity Blade on my phone last Thursday, all I’ve wanted to do is play it nonstop.

To put this in perspective, you’re talking a guy who has all of the video game consoles, a gaming-ready PC, a Kindle, a Blu-Ray player, Netflix, a backlogged DVR of TV shows, and a sports fan. Needless to say, I’ve got a lot of entertainment that I could/should have been plowing through instead.

Nope, I had to max out my Infinity Blade character first.

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Postgame: Vanquish

Ever wonder what kind of game Gears of War would have turned out as if the Japanese developed it? Welp, Vanquish is pretty much that game. Instead of the bad guys sinking cities with giant worms, they sink them with giant mech robots that transform from crab-form to bi-pedal form.

I previewed the game from E3 earlier in the year, and it pretty much turned out how I expected. It’s a third-person cover-based shooter with a ridiculous action movie plot and awkwardly bad dialogue that’s made even more awkward by the Japanese to English translation process. It’s also pretty damn fun, albeit a bit short.

I initially started off on the “Hard” difficulty level because a) I’m an achievement whore and b) I figure it couldn’t be that difficult for a seasoned action game pro like myself.

It was the wrong move.

I was making progress and got through the first Act of the game, but it was quickly becoming a joyless slog. Having to retry sections 10-15 times in a row has the tendency to ruin game flow. If you get this game, do yourself a favor and play it on Normal or even Casual. Though Vanquish has a cover system, it’s at its most fun when you’re zipping along from place to place at superspeed using your suit’s sliding ability. You will feel like a total badass sliding around like a cybernetically enhanced Steven Seagal and gunning robotic Russians down in the face.

There’s a couple of weird game design quirks that I didn’t really understand. For example, you’re penalized for using a melee attack. Hit someone once with it and it immediately depletes your shields. Not only are you extremely vulnerable, you can’t melee again until it recharges. Why anyone would use the melee attack other than to get the achievement is beyond me.

The weapon upgrade system also makes for weird gameplay motivations. Picking up a gun from the ground first replenishes your ammo for that gun to full. Any further weapons of the same type that you pick up will count as an upgrade as long as that gun has full ammo. What this does is make you want to hoard certain guns or else you’ll never get to upgrade them. Fire one shot off and you can kiss that upgrade goodbye unless you somehow find two of the same gun. Believe me, it’s a pretty crappy feeling to have that happen to you.

Other than that, the pace of the game is very fast. You won’t find many stealth sequences or “downtime” at all. There’s always Russian robots to blow up and large fights going on. The story’s nothing to write home about, but let’s not kid ourselves here. If you’re playing this game for exceptional storytelling, you’re playing it for the wrong reasons. The right reasons are if you want to blow the shit out of some shit.

Vanquish is a video gamer player’s video game. By that, I mean it’s under no pretense to appeal to a broad audience or people who aren’t “gamers.” It’s got everything you would expect to see in the 40 Year Old Virgin’s room – robots, guns, lasers, cute CGI chicks – you name it. If you liked any of those things growing up and don’t care about being judged for it, you’ll have a fun time playing Vanquish.

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Stuff To Read After Seeing The Social Network

A hallmark of a good movie is that feeling of wanting to go home and googling everything you can about it because it was that riveting that you want to learn more stuff about it. The Social Network is definitely one of those films. Before we get into some informative articles for you to read, though, humor me for a quick review on the movie.

I went into the movie expecting it to be a dramatized film with a loose basis on actual events. In other words, I expected to see more untruths than truths. You know what? I’m glad I wasn’t an expert historian on Facebook or Mark Zuckerberg because I might have had fits trying to figure out what was true and what wasn’t. Don’t go in trying to be that guy. Aaron Sorkin’s script flows naturally and is entirely believable within the context of the film.

Sorkin does a great job of making the viewer feel smart and involved with the events leading up to the creation of Facebook. You could know nothing about technology and still feel like you have an insider’s view in Silicon Valley. I’m no accomplished server administrator or web developer, but even I know what Emacs or Apache servers are used for. You won’t see any techno-babble in this film that’s on the level of 24‘s “Chloe! Open up a socket!”

As for the directing and acting? Well, I’m pretty sure David Fincher has reached Christopher Nolan status for me in that I will see any of his films no questions asked. Did you remember that the dude directed not only Fight Club and Se7en, but also The Game, The Curious Case of Benjamin Button, and Zodiac? Not a stinker among them. Jesse Eisenberg establishes that he possesses far more acting range than Michael Cera. Justin Timberlake did his job in his portrayal of a fairly one-dimesional Sean Parker. Andrew Garfield did his part in incepting us with feelings of sympathy for his role as betrayed partner, Eduardo Saverin. I imagine we won’t have trouble getting along with his Peter Parker role in the upcoming Spider-Man franchise reboot.

I’m sure many of you have seen The Social Network by now, but if you haven’t, I heartily recommend you do so. It’s a great film, fun yet intellectually engaging as well. Your post-movie dinner conversation will be fun, I guarantee it.

Now, let’s say you’ve just seen the movie and you want to know more about everything that went down. Here’s some extracurricular reading material to satisfy your cravings:

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A Pictoral Overview Of New Twitter

new twitter

There it is, my friends, the new Twitter.com page. It’s quite a departure from the old Twitter.com page, wouldn’t you say?

old twitter

Alright, so “quite a departure” might be a slight exaggeration based on the photos, but rest assured, it certainly feels that way. It may not look like the difference between Myspace and Facebook, but there’s some fairly significant changes to the site. I’ve spent the last day or so playing with it and I’ve gotta say, it’s a lot more enjoyable for me to use.

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Postgame: Metroid: Other M

Let’s get one thing out of the way first. The worst Metroid game is better than 90% of all the single player action-adventure games out there. The sense of discovery, progress, and frenetic action that you get from playing a Metroid game offers a feeling of fulfillment that few other gaming franchises can.

That being said, Metroid: Other M is definitely one of the weaker entries in the series. (Metroid Prime Pinball nonwithstanding)

It’s a little odd because Other M looks and smells like a Metroid game, but somethings a bit off with it. Perhaps part of it is the game’s focus on “storytelling and character development.” It’s the first Metroid game to utilize CGI cutscenes and voice acting heavily. And I do mean heavily. Some of these scenes clock in upwards of ten minutes.

Now, the length of the cutscenes isn’t so much the problem as the content. As the story was unfolding, I couldn’t help but feel like it was as awkwardly written and campy as Resident Evil. For example, one of the introductory movies explained at length why everyone in Samus’s old military unit gave the “thumbs up” sign after hearing mission orders. Then, in an incredibly melodramatic fashion, we got a very solemn monologue voiced by Samus as to why she gave the “thumbs down” sign instead as a symbol of independence.

At least, that’s the gist of what I remembered. Frankly, the entire thing played out to me as “blah blah thumbs up blah blah thumbs down.” I welcome engaging storylines and characters in my games, but Other M just reeked of B-Movie quality/self-aggrandizing-Japanese-Video-Game-Director-aspires-to-write-best-space-epic-ever. As I played through the game, I found myself pitying the poor localization dude who had to translate pages and pages of melodrama into English without making it into a complete joke. He tried his best, but putting frosting over poop is still poop.

That’s not to say the cinematics were shoddily presented; they actually look quite amazing for a 480p Wii title. The voice acting is also well done, with Samus sounding exactly like how I had imagined her. However, this leads to another problem, which is her characterization.

Other than some hints dropped here and there (she’s a girl!), the character of Samus has largely been left up to the imagination for the last 24 years. I’d wager that many people would consider her a badass no-nonsense bounty hunter who leans towards the side of angels, if anything. Making Samus’s past the focus of Other M‘s story ends up weakens the character because it pulls back the curtain to reveal one person’s interpretation of her (the director who thinks he’s a better storyteller than he actually is). She comes off as petulant, juvenile, needy, and emotionally inferior to her male counterparts. Instead of feeling like I was playing as an unfathomably hot Boba Fett, I began to feel like I was babysitting a needy girl who’s in way over her head. Not cool.

As for the actual game itself, the best thing I can say about it is that it kept my full attention (well, other than the cutscenes) throughout the 8 or so hours it took to complete. It’s a Metroid game so there’s thrilling shoot outs, timed escapes, tricky platforming, and creepy atmospheres. While some purists may cry foul at the forcefed waypoint directions, I did appreciate their purpose in keeping the game moving along at a nice pace. Rare was the case in which I was genuinely stuck.

However, the most egregious offense on Nintendo/Team Ninja’s part was shoehorning in a hybrid 1st person mode into the game. I’m talking about the gameplay mechanic where you have to constantly flip the Wiimote from a horizontal position in your hands to a position where you’re pointing and aiming at the screen.

In three words: It. Doesn’t. Work.

Not only is this motion awkward, it must be done in the middle of frenetic action moments! So you’re not only performing a complicated motion with your hands, you have to shift from a 3rd person view to a first person view on screen where you’re completely rooted! I don’t know about you, but this took a heavy cognitive toll on my brain. It wasn’t so much the concept of swapping back and forth, but the frustration I felt in having to run around an enemy, stop, flip the controller, get the aiming reticles right, and press the right button. More often than not, by the time I got the complex series of motions done, I had lost my opportunity to damage the boss’s weak point or had to reposition because enemies had caught up to my rooted position. It may have sounded like a good idea in the brainstorming session, but I can’t believe that this got through any sort of hands on testing.

It may sound like I’ve spent the last 900 or so words just blasting Metroid: Other M on its faults, but understand that it comes from the viewpoint of a series fan. The game is still worth playing if you’re into the series; just dont expect something on par with Super Metroid or Metroid Prime. If you’re a newcomer to the franchise, you could do a lot worse than Other M, but I strongly recommend you play the aforementioned first as a better showcase of what a Metroid game is really capable of in both 2d and 3d. Playing through either one of those games should leave you with the feeling that you’ve experienced some of the best titles the medium has ever produced.

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Postgame: Starcraft 2: Wings of Liberty

If there had to be one title to act as the envoy for the video games industry in 2010 it would have to be Starcraft 2.

You’d be hard pressed to find any other game appeals to everyone from the 30 minutes a day casual player all the way up to the professional Korean player making seven figures with an entourage of bodyguards and female groupies.

Yes, you read correctly. Seven figures. Groupies. Entering live tournaments on rock stages on a speedboat.

There’s three audiences that I think should run out and give this game a shot:

  1. Tower defense game junkies (whether it’s on your phone, iPad, computer, or console)
  2. People who already enjoy real time strategy games (How can you like RTS games and not at least give Starcraft 2 a shot? That’s like saying I like action movies, but I refuse to watch Inception.)
  3. Professional Starcraft players. (though I think those don’t really need to read this review)

Starcraft 2 is an interesting game because it’s one that’s physically impossible to play on any current console. It doesn’t mean that the game is that complex, it just means that it’s a genre that’s best controlled with a mouse and keyboard due to the nature of the tasks needed to be done. The game will run on almost any modern computer, Mac or PC alike, so chances are if you own a computer made within the last few years, you can play it.

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30 Minute Rule Review: Monday Night Combat

Multiplayer-focused games are a tough animal to “review” since the experiences are so intertwined with the playerbases. At the same time, you can usually tell within the first 30 minutes or so if a game is going to be fun for you or not.

I had a chance to spend a couple of hours with Monday Night Combat today and I’m here to tell you it’s something worth looking into.

In a nutshell, Monday Night Combat is a 3rd person class-based multiplayer action game. You can choose to be one of various classes (such as a sniper, support, assassin etc.), each of which has its own unique powers, weapons, and playstyle. Additionally, anyone can build or upgrade turrets around the map. Think Team Fortress 2 meets <insert your favorite tower defense game here>. There’s two modes of play: Blitz and Crossfire.

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